I never read the His Dark Materials series (The Golden
Compass, The Subtle Knife & The Amber Spyglass) when I
was a child. I remember hearing about them, and the buzz they created, and I
even managed to finish the first book, The Golden Compass, but somewhere
along the way I was distracted. I’m here to tell you that that distraction was
perhaps the best thing that happened to me in my literary journey, since I have
now finally finished the series, while living in Oxford and as an adult that
understands the profound beauty and power of Philip Pullman’s sweeping epic.
I found myself initially intrigued
by the main character, a supposedly orphan girl named Lyra who runs wild over
Oxford, while being brought up by the many scholars at Jordan College. Lyra is
headstrong and lacks manners and polish. I found myself oscillating between
liking her and finding her difficult to take seriously. She is at one moment a
child, willful and selfish, and at the next moment wise beyond her years.
Pullman has captured that strange stage of growing up, where on the brink of
adolescence we are all caught between the adult and childhood world. While
navigating growing up in circumstances far from normal, Lyra introduces us to a
world that is similar to ours but with just enough unusual quirks to keep us
guessing. The most obvious quirk of course is that each human being has a
daemon, an animal projection of their soul that can shift shape during
childhood and then settles on a fixed form when the person reaches adult hood.
These are not pets but an extension of that person’s being, and Pullman is
brilliant for having come up with such a concrete concept for the human soul.
Lyra’s companion through the series
is a serious boy called Will, who is about Lyra’s age but has none of her childish
frivolity. He is determined to find his father, cares for his mother deeply,
and finds himself caught up on an adventure that changes his destiny. Will is
my favorite character by far, perhaps because I forget he is only about
thirteen. He sees the world as it is and is quite capable in all of the
unlikely and fantastic situations he finds himself in. His devotion to his
mother is heartbreaking and his ability to carry the heavy burden placed upon
him towards the middle of the series with grace and humility makes him the
ideal hero. Reading Will again made me forget that these are books aimed at
children, for I could see the man he would grow to become and admired him
immensely.
We of course met other memorable
characters over the course of the three novels, including Serafina Pekkala, a
witch of great age and beauty; Lee Scroesby, an aeronaut from Texas; Iorek
Byrnison, an armored bear; Lord Asriel, a man hell-bent on destroying God and
Mrs. Coulter, a woman whose beauty and charm hides a dark and complex
inner-self. This cast is strong, vitally described and haunting and funny in
their turn, pushing Lyra and Will along their prophesized journey.
I feel it would be foolish to even
attempt a summary of the plot of His Dark Materials, for Pullman has achieved a
story that is on par with the breadth and depth of Tolkien and Lewis. There are
worlds upon worlds to be discovered, people of all kinds, magic and theology
melting together into a swirl of fantasy that takes up the reader and only sets
them down after they’ve experience grief, elation, uncertainty and triumph. The
language never condescends, and in fact I often found myself wondering how on
earth these were children’s books at all? There is so much in them that made
me, an adult, pause and think and therein lies the delight. A child may read
them for the adventure, an adult for the theological questions and genuine
exploration of emotion and destiny. Just as Lyra and Will don’t understand much
of what they’ve done until the very end, the reader may experience the series
on multiple levels. It’s ok not to get everything, and even better, it’s better
not to be conscious of not knowing. Just as Lyra and Will are unaware of their
destinies, the reader goes in without knowing what impact the novels will have
on them upon completion. I personally had the tears on standby as I read the
last section of The Amber Spyglass, and even during parts of The
Subtle Knife. Pullman made me care about every character, never letting
someone be purely good or evil, and thus when each character met their
particular fate, I felt connected to that result.
His Dark Materials stands out in my
mind as a series that must be read, by everyone at some point in their lives.
The grace and genius that went into creating this compelling story is something
to be astounded by, and I salute Philip Pullman.
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